GennaRose Nethercott

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Biography

GennaRose Nethercott’s book The Lumberjack’s Dove was selected by Louise Glück as a winner of the National Poetry Series for 2017. Her work has appeared widely in journals and anthologies including The Massachusetts Review, The Offing, and PANK. She has been a writer-in-residence at the Shakespeare & Company bookstore, Art Farm Nebraska, and The Vermont Studio Center, among others. A born Vermonter, she tours nationally and internationally composing poems-to-order for strangers on a 1952 Hermes Rocket typewriter.

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Schedule

9:45 a.m. to 10:30 a.m.
State Capitol Building, Senate Committee Room E
Discussion
Wonderfully Strange: Modern American Mythology

10:45 a.m. to 11:30 a.m.
Barnes & Noble Bookselling Tent
Book Signing

Noon to 4 p.m.
State Library, Front Steps
Special Event
Poems-to-Order


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The Lumberjack's Dove: A Poem

“Serious art does not need to be weighty or explicitly topical. It can be, as it is here, apparently as light as a feather: The Lumberjack’s Dove is, in its manner, a folktale; it is also a meditation on attachment, on loss, on transformation. Like its less humble relatives, myth and parable, it is pithy, magical, its many insights, its cautions and clarifications, unfolding in a chain of brief scenes and koan-like revelations. This is a book of unexpected lightness and buoyancy, as necessary in our tense period as the more urgent confrontations.” --Louise Gluck

A boldly original and visceral debut collection from the winner of the 2017 National Poetry Series Competition, selected by Louise Gluck

In the ingenious and vividly imagined narrative poem The Lumberjack’s Dove, GennaRose Nethercott describes a lumberjack who cuts his hand off with an axe—however, instead of merely being severed, the hand shapeshifts into a dove. Far from representing just an event of pain and loss in the body, this incident spirals outward to explore countless facets of being human, prompting profound reflections on sacrifice and longing, time and memory, and—finally—considering the act of storytelling itself. The lumberjack, his hand, and the axe that separated the two all become participants in the story, with unique perspectives to share and lessons to impart. “I taught your fathers how to love,” Axe says to the acorns and leaves around her. “I mean to be felled, sliced to lumber, & reassembled into a new body.”

Inflected with the uncanny enchantment of modern folklore and animated by the sly shifting of points-of-view, The Lumberjack’s Dove is wise, richly textured poetry from a boundlessly creative new voice.

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